Nothing is harmful to literature except censorship, and that almost never stops literature going where it wants to go either, because literature has a way of surpassing everything that blocks it and growing stronger for the exercise.
The rhythmical unit of the syllable is at the back of all of it - the word, the phrase, the sentence, the syntax, the paragraph, and the way the heart moves when you read it.
A game one of my sisters will play with me in my first year of being alive is called Good Baby, Bad Baby. This consists of being told I am a good baby until I smile and laugh, then being told I am a bad baby until I burst into tears. This training will stand me in good stead all through my life.
When we meet a work of art, there's something about that encounter that isn't fixed in time, but rather, it unfixes time: the shaft opens. The past and present exist in the same moment, and we know, as beings, that we are connected. All the people who lived before us, all who will come after us, are connected in this moment.
I had a job, I got ill, I left the job to get better, and while I was getting better, I wrote some stories. I sent them to some publishers and the fifth one who replied said they'd take them. Then they went bankrupt. Then that bankrupt publisher got bought by a bigger firm. Story: in the end is the beginning, and in the beginning is the end.
I wouldn't call my work Modernist. I would rust if I try to think about labels. I'd feel like the Tin Man in 'The Wizard of Oz.'
