I remain extraordinarily proud of the Vaughan Williams symphonies I recorded with the LSO, and in the 1980s and '90s, I made an almost complete cycle of orchestral works by Richard Strauss with the Vienna Philharmonic.
Elliott Carter does not write the kind of music that the kids go off to school whistling.
I've had the healthy and sobering experience of constantly working with music that is invariably better than any performance of it can be.
I'm on very good terms with all my former wives.
People who don't do jazz think it's black magic. But really, it's just a matter of getting used to it. It's fun to gamble. The trick is not to fall back on the things you've done before.
The basic difference between classical music and jazz is that in the former the music is always graver than its performance - whereas the way jazz is performed is always more important than what is being played.
