Every adaptation requires that the screenwriter make difficult choices - and in particular, difficult cuts.
Despite his dodgy politics, Yeats remains an inspiration for his genius and the simple fact that the older he got, the better he wrote.
I think, in a weird way, the reason I was drawn to screenwriting and the reason I really love doing it is because I love writing dialogue.
And I didn't grow up wanting to be a director. I grew up wanting to be a writer, so for me, that was always the goal - to be a novelist, not a screenwriter. And I think, again, if I didn't have the novels, maybe I'd be much more frustrated by not having directed yet.
I don't like extremely long movies. I tend to get a bit impatient. There are definitely exceptions, like 'Lawrence of Arabia,' but for the most part, I feel that movies should usually be shorter and not longer.
It's always easiest for me as a writer if I know I have a great ending. It can make everything else work. If you don't have a good ending, it's the hardest things in the world to come up with one. I always loved the ending of 'The Kite Runner,' and the scenes that are most faithful to the book are the last few scenes.
