Like any art, what is the most imprisoning thing is also the most delivering thing. If an actor knows he only has 12 syllables in a line, the challenge is, 'How can I interpret the meaning and contain it without going one syllable over?'
I think young writers ought to be heretical.
I made a vow that I wouldn't be tempted by what could happen to me if I went to Europe. I thought, 'You could be absorbed in it - it's so seductive, you might lose your own search for identity.' Then, when I did finally go to Europe, I was able to resist it because I had established my own identity.
I have to live, socially, in an almost unfinished society. Among the almost great, among the almost true, among the almost honest. That allows me to describe the anguish.
I can't tear up a poem and be a sound bite for you. Why is that so hard for anyone to understand?
Visual surprise is natural in the Caribbean; it comes with the landscape, and faced with its beauty, the sigh of History dissolves.
