I didn't want to read French or write it; it was like a boycott, a rejection.
Mount Tamalpais became my house. For Cezanne, Sainte-Victoire was no longer a mountain. It was an absolute. It was painting.
My writing and my paintings do not have a direct connection in my mind. But I am sure they influence each other in the measure that everything we do is linked to whatever we are, which includes whatever we have done or are doing.
Usually, I am a compulsive person, and I need - sometimes urgently - to paint... Painting is close to poetry, is a kind of poetry expressed visually. It has to be spontaneous, rapid - at least in my case.
Colours exist for me as entities in themselves, as metaphysical beings.
Places are part of nature, of the bigger picture. We are interrelated. When we contemplate them in their own right, they can sometimes change our lives; they can become spiritual experiences.
