We loved the language in Cormac McCarthy's 'No Country,' which is really about the region, while in 'True Grit' it's more about period: people did speak more formally and floridly.
In 'True Grit,' we had a vulture, a trained vulture... that was a pain and that was - even by vulture standards - probably a stupid vulture, and that was frustrating.
It's hard to get away from being old. I still talk about the TV set.
You don't have to have a true story to make a true story movie.
Sergio Leone has this weird western opera thing.
People respond to real problems from the heart.
