Makeup is very important for a show. It's really an accessory on the runway. You have to be sure that it fits the clothes.
It's not that I'm easily shocked. It takes a lot to shock me. And wildness I like. But vulgarity shocks me.
True icons are larger than life, unforgettable with an elegance that's mesmerizingly timeless.
In America, when I first came here, they were used to wearing more make-up - thicker foundation, more Max Factor, that sort of thing. But you have to know who you are and what you look like: if you know yourself a little bit, you don't need to follow trends.
I'm not so interested in perfect, plastic beauty, and I think it translates in the girls I've shot over the years for Nars, from Guinevere to Iris to Mariacarla. I love those girls. I love the more interesting faces, with maybe a strange nose, not just the Texan blonde. By picking those girls, I think it's changed what I've seen in other campaigns.
When you photograph someone, you have to make them feel good, and you know that they want to look good. It's the same relationship that you have when you apply makeup on somebody. We're almost like shrinks.
