Not to oversimplify it, somebody once said a good rule of thumb in interpreting a character is to find the good in the bad people that you portray and the bad in the good.
I thought to myself, there's a man who gave up his life to serve others - to touch people in that way is probably the greatest thing you can do as a human being.
No actor who's any good can say truthfully to themselves, 'Yeah, I'm good; I've got this sorted.'
We tend to think of extremes of emotions as registering, for example, you have to cry or laugh or get angry. But for the most part, we find it difficult to read each other most of the time. If you walk through the street, most people are pretty difficult to read. But they're thinking inside.
It's actually pretty complex, because there's two levels of reality in the narrative. One is what really took place, and the other is Spider's poisoned version of what took place.
Where issues used to be, say, parochial or local in Ireland or England and so forth, all politics is global now because all business is global.
