The perception that if you're not on 'Top Of The Pops' you're dead and buried is a good one for pop music, because 'TOTP' is a catalyst or barometer for pop success.
Song writing is very serious; it is hard.
I'd go to meetings with record companies - CBS, Decca, EMI. They'd tell me to wear a pair of jeans and grow my hair and look normal. And I'd say, 'Sod that,' and storm out. And I do think that belligerence is important when you're young.
What I would hate to go through is what happened in the mid-90s playing in front of a half-empty theatre, which prompted me to say 'never again' when it came to Waterford. To go through that again in any of the places I call home would destroy me.
The measure of success was writing a song, recording it and for it being in the hit parade in England. Success was about the postman walking up the garden whistling my song. I wasn't trying to conquer the world.
You see, I read reviews of people like Paul Simon, and they don't talk about the fact that he's looking old or whether he is fashionable; they talk about the music, which is how it should be.
