'Plutocracy.' It has a perfect nuance: chilly, inaccessible, icy-rich.
It is, of course, the first recourse of every elitist to see social barbarism in others.
I've been a professional writer for 20 years, and there are contours in that time, crescents and troughs.
Repression in the human psyche is tightly bundled. When it has been pulled out of the sprung package so often it is perhaps difficult to push it back in the box.
Since I've been hired to contribute to the storyline of 'Doom 4' I can say what was always true anyway. I'm working. You see, for a writer, lots of stuff that doesn't look like working is actually working. Looking out of the window, for example. Balancing a pencil on the edge of the desk in order to find its exact fulcrum. Playing 'Doom.'
My story reflexes come less from fantasy or horror than from the darker sort of psychological thriller - not as plot-driven as most, rather more mood-driven. My interest in the supernatural is a complication - though I am less interested in ghosts than in people who see ghosts.