This was during a period when I was producing Brazil '66 records and got infected by Brazilian music.
You know, the record business is much different than being artist on stage.
I'm an old-timer in the business from the sense that when you do something that you feel good about there might be another person out there who feels the same way, or a hundred or a couple million.
If you look at a record under a microscope, the high frequencies are short jagged edges... and the low frequencies are long swinging ones are deep bass sounds. When it cut it at half speed, you're getting more of those on the record.
The reaction to this album has just been fabulous around the world... and I've had offers to perform from around the world and I'm tempted to do it. I've got itchy lips.
Instrumental music can spread the international language.
