I'm the one who gave steroids to Pop art.
There was one reviewer from the 'New York Times,' I forget his name, who said I was 'death warmed over.' I wrote him back that I knew more about death than he did. The 'Times' fired him, put him in the cooking department!
I decided to make pictures of fragments, images that would spill off the canvas instead of recede into it like a medicine cabinet. I wanted to find images that were in a 'nether-nether-land': things that were a little out of style but hadn't reached the point of nostalgia.
The best thing about being an artist is the free clothing and getting to kiss pretty girls.
I hitchhiked to Miami in 1953, and there were oranges laying on the road, black shantytowns, and marinas with nice boats. The museums were virtually empty.
I went to the University of Minnesota, and I met this amazing artist named Cameron Boothe there who was in World War I, who studied with Hans Hoffman in Munich.