I think there's a pedigree that comes with being from Chicago that gives you some cache outside of L.A. and New York, where, frankly, most of show business really is.
Filmmaking, at the end of the day, is really - in addition to the story and all of the equipment and the actors, it's really about time management. And so the smartest filmmakers are the ones who sort of pre-visualize the film in their head and are literally shooting the shots they need to cut the story together.
There has been a stigma around letting movies be seen on home screens on the same day as theatrical screens. Universal said they were going to do it with 'Tower Heist,' but they backed off when challenged by the theater owners. I understand where the theater owners are coming from on big studio movies.
'Spinal Tap' influenced me, I think, specifically in making me really pay attention to tone.
If I were in charge of the Olympics, I would probably try to put something for the javelin guy to aim at. Not just length, but see if you could spear something.
We can't make movies without scripts, and there's no cost to writing a script, so my advice to newcomers is do it yourself: Write your own script, shoot your shorts, edit your shorts.
