'Line of Duty' had originally been conceived as a returnable drama, with the premise being that the fictional anticorruption unit AC-12 would move on to a new case in each series, centred on a high-profile antagonist accused of corruption.
It was a strange feeling, filming a night scene in Selly Oak High Street with a television crew and famous actors in tow, when twenty years ago, at that time of night, I would've been stumbling around in search of a kebab.
Cannock is a friendly place. You can stroll down the road to a decent pub and have a good curry, and it is not too faceless.
I try and relate my writing to something I know about, and I had a primary experience of being in a competitive, military environment and being part of a squadron.
'Line Of Duty' is first and foremost a thriller. But I hope it will also be seen as a revisionist commentary on 21st century policing.
The doctor part of me recognises the light and shade of medical life, but the writer in me is more attracted by the darkness, perhaps because it is the road less travelled.