My writing regimen is not very regimented. I tend to be a binge writer, working sometimes in the morning and sometimes all night. When I get going I like to hunch over the keyboard until I feel totally played out.
I think suspense should be like any other color on a writer's palette. I suppose I'm in the minority but I think it's crazy for 'literary fiction' to divorce itself from stories that are suspenseful, and assign anything with cops or spies or criminals to some genre ghetto.
My first book, about Ruby Ridge, was made into a miniseries on CBS in 1996, and since then, I've dabbled in Hollywood, pitched a few things, sold a couple of screenplays and a pilot that I wrote with a buddy from Spokane, flirted with seeing 'Citizen Vince' as a film, and most recently, adapted 'The Financial Lives of the Poets' as a script.
I've been simultaneously drawn to and repelled from Hollywood for years.
Ultimately if you're a journalist, one day you're writing about figure skating, one day a political debate. I loved that about reporting. I like throwing my energies into various corners of the world.
The war in Iraq, the abuse of detainees, electronic eavesdropping, Guantanamo Bay - these things were all done on our behalf and they may turn out in the end to have created more terrorists.
