Music should resonate with people on an emotional level. That's one of the criterions I use for an idea. Does it speak simply and directly without obfuscation and without being unnecessarily complex or obscure?
I have a Yamaha YC-45D organ in my studio. It's actually Terry Riley's favorite keyboard, so if you find old clips of him on YouTube, he's usually playing one of these.
I am a trombone player, and that was my first instrument.
I'm very interested in voice synthesis and vocoders in general.
The kind of industrial wasteland that you see in so much of Europe has a tremendous poignancy to me, especially when it's run down and you see the collapse and failure of this system. And also how nature reclaims it.
In my solo work on my own albums, I have used voice synthesizers and vocoders quite a lot in connection with orchestral instruments.
