The chanting went on, the musicians giving in to the rhythm of their own being, finding healing in touching that rhythm, and healing in chanting about death, the only real god they knew.
Really important books to me are the classics. I try very hard to read them well - you know, especially once I got serious about writing. So, reading Tolstoy several times - 'War and Peace,' 'The Kreutzer Sonata' - all those were really important to me.
When I first got back from the war, I said, 'I'm gonna write the Great American Novel about the Vietnam War.' So I sat down and wrote 1,700 pages of sheer psychotherapy drivel. It was first person, and there would be pages about wet socks and cold feet.
I grew up in Oregon, where as a teenager I worked with my grandfather Axel on his i shing boat at the mouth of the Columbia River.
I began writing 'Matterhorn' in 1975 and for more than 30 years I kept working on my novel in my spare time, unable to get an agent or publisher to even read the manuscript.
I don't want any romantics to go into the military. I'm not a pacifist. I think we need a military, and the better one we have, the better off we are. I don't want kids going in there thinking that it's John Wayne on Iwo Jima. That's not healthy.