Though a fine writer, Scott Spencer will forever be associated with a cheesy, sentimental film starring the vapid box-office draw Brooke Shields.
In the perfect world, no one would need pre-nups. But all too often, a misty-eyed romancer at the altar transforms into a vengeful, avaricious fiscal predator when the marriage goes south.
By stereotyping my work's audience as self-involved and prissy, women-only packaging also insults my readers, who could all testify that trussing up my novels as sweet, girly, and soft is like stuffing a Rottweiler in a dress.
My agent had warned that, while a fine film would do my profile a world of good, a bad one wouldn't help me at all, and I suspected she was soft-pedalling the latter possibility. The effect of a truly execrable adaptation is worse than neutral. The stink rubs off.
Conservative supporters might either have the courage of their convictions or, if truly ashamed, revise them, but they should at least refute the proposition that defending your own interests is only acceptable if you're broke.
I can't be alone among fiction writers in regarding the world, so much weirder than anything we could make up, as beating us at our own game or in racking my brains over what could possibly constitute a contribution when novels pale before the newspaper.
