I'm just interested in people on the edges. I feel an affinity for people who haven't had the best breaks in society. I'm always on their side. I find them more human, maybe. What I want to do more than anything is acknowledge their existence.
I'm a street photographer, but I'm interested in any ironic, whimsical images, and there's something very romantic about a circus.
I don't relax. I can't take vacations. I'm obsessive-compulsive, and I worry with every project that I'm going to fail. When it starts to go well, and I sense that something beautiful and important and meaningful is being created, it's a fantastic feeling, and I find it very hard to stop.
During prom season, I travel around the country with a 20-by-24 camera - which is logistically complicated - and photograph proms. My husband made a film of it.
Looking at my own prom photograph reminds me of how significant that moment was - and how fleeting life is.
I think the prom is very serious also. It's an American ritual, it's a rite of passage, and it's very much a part of this country.
