Woody Allen's movies are so much a part of me. I grew up watching them over and over and would read all his comic pieces for the New Yorker. In some ways, his influence is so much there that I can't even locate it any more.
I think all my movies are about transitions to some degree.
Manhattan is so tailored. It's driven by appealing to the very wealthy and tourists.
When you're around your family, and you have that history and that shared language, you say things you'd be embarrassed to hear quoted back to you later.
I'm a huge proponent of therapy and analysis, but it's something that, in a nonprofessional way, can be abused.
When you find yourself on the Internet when you're supposed to be writing, you've already lost. It's even beyond procrastination when you end up on the Internet.
