My first collection was made from sheets that my grandmother, who lived in Normandy, had been collecting for a long time. There are a lot of flea markets in that part of France, and she knew what I liked.
It's interesting for me because in my work, a lot of times, I like to scrutinize the clothes and think what's going to make them look dated, and I do the same with vintage. In vintage, you want something unique and different, but at the same time, something that doesn't make you look like you dress like a grandpa.
When I was very young, I wanted to be a girl. I was jealous that girls got to be princesses and wear skirts. It tormented me. When I was 6, I even heard that you could change your sex, and I was very intrigued until the moment I realized that if I changed into a girl, I would be an ugly girl, and this is the last thing I wanted to be.
When Princess Diana got married, I was a very little kid, I think. I remember her dress, and I found the dress amazing when I was a kid.
I don't think couture will die. But it should have no pretension that it will conquer the world. It's not something that will disappear because all you need is a thread and a needle to start making something couture.
When I started at Ricci, I did street wear for very cool, young girls, but the price point was for the fourth floor of Bergdorf Goodman next to Carolina Herrera. My cool girls cannot afford it.
