I was reading my son some fables; it made for good nighttime reading. These stories were very vivid and very strange and occasionally bizarrely violent. It was a very free landscape.
All of my close friends are emotional train wrecks. This is what makes our lives interesting - constantly doubting ourselves, worrying, wondering if we've made a mistake. Could we have done better? Are we good people? Are we bad people?
I come by writing dialogue fairly naturally, I've got a chatty family; I'm a bit of a voyeur, and if I'm ever in a public place, I automatically find myself listening.
The idea is this: It's important to upset one's work habits, to topple the cart for each project.
I was halfway through a rough draft of 'The Sisters Brothers' when it came time to start the 'Terri' adaptation.
I don't necessarily want to make people stomp and clap. I simply want to engage people.
