Through a shared aim, shared needs, shared love of a shared result in theatre, from the creation of space... the coming-together of an endlessly repeated climax of shared performance, again and again, something special can appear.
A British actor will savour every syllable of a Shakespearean line, while a French actor will drive to the end of a sentence or a speech with a propulsive rhythm: the thing you never say to a French actor is, 'Take your time.'
An icon painter starts not with Jesus Christ but by finding earth and rubbing. Now what is earth, what are you rubbing in directing?
It's easy to give up, and that's the one thing we cannot do. That's what gives me a reason for working: to leave people with a little more courage, with a little hope that has been nourished. Even if, of course, it's going to disappear, whatever touches one isn't lost forever.
I've always worked a bit like a cook in a big restaurant, where you've got lots and lots of things laid out and you go and look into one cauldron and you look into the other and you see what's coming to the boil.
That, for me, is the only real legacy: the idea that one has left a lingering trace in people's memories. In the end, that's all a director can hope to do.
