Cinema ceases to be passive and becomes active: you, the audience, are now, in some senses, in charge of the filmmaking process. You have all got mobile phones, you have all got cam recorders, and you've all got laptops, so you're all filmmakers.
Everything I try to do wants to be able to push communication through the notion of the visual image.
I think there is no future whatsoever in 3D. It does nothing to the grammar and syntax or vocabulary of cinema. And you get fed up with it in exactly 3 minutes.
Thanks to secondary education and the Internet, we're all knowledgeable now - if knowledge means the accumulation of facts. Curators are those who know how to maneuver around that knowledge.
If you think about it, most cinema is built along 19th-century models. You would hardly think that the cinema had discovered James Joyce sometimes.
I obviously irritate people. I obviously antagonise them.
