I suppose I sort of like effects that have some organic elements rather than ones that are entirely generated by a computer. Just because, no matter how complex the algorithm is, it's still an algorithm.
Louis Malle is maybe one of my favorite directors, but I love Tarantino.
A lot of comedies are based on the reaction shot. You have one person doing something stupid and one person is generally the straight man, and the laughs generally come on the reaction of the straight man to the funny thing the other person has done.
I like Roy Orbison's video for 'I Drove All Night' because it's so literal. It is just a man driving throughout the night. I like that silliness. To be in a video is a ridiculous thing. It's almost impossible to do it without any humour.
The act of seeing any film generally is you knowing more than the characters, even if it's the classic Hitchcock shot of two people talking and a bomb being under the table. Part of the pleasure of it is seeing where people go wrong, and the irony of situations.
I find performing very difficult. It's difficult to be a good actor. I get very nervous, even though it sounds disingenuous, because you could legitimately go, 'Well, why do it?'