Family or love or romance, whatever it is, is not restricted to perfect people. If it were, it wouldn't exist. All of that comes out in my work in some way.
Is it good, bad, or neutral to recognize thematic patterns in your own work? When it comes to recurring themes, I'm of the mind that knowledge is probably not power, at least in terms of the work.
When the reader and one narrator know something the other narrator does not, the opportunities for suspense and plot development and the shifting of reader sympathies get really interesting.
Making lists of favorite things is, for me, a task ridden with anxiety. What if I've accidentally excluded something I love? What if I discover something new tomorrow that I love even more?
I'm not really a plot writer - I'm more interested in the characters and sort of small events that propel the story forward.
My parents met in music school, and my father was a music professor and conductor. Growing up, we always had classical and contemporary music playing.
