It's possible there are no two books in publishing history more dissimilar than 'Human Traces' and 'Devil May Care.' And that was really the attraction of it.
I think my generation has had an unbelievably easy time profiting from the world that was made for us by our parents and grandparents. We are essentially a rather frivolous generation. The Blair government was my generation's shot at power. It had some good things, but it had some flaws.
There's no such thing as identity: it's something we have to believe in to make life more tolerable.
I think closeness to death would be pretty exhilarating in a way, and friendship, yeh, and selflessness, a kind of selflessness, a sense of your own worthlessness, I think, is pretty exhilarating.
To have been able to write the books I wanted to write, on demanding subjects like war and the history of psychiatry, and for them to have sold in the numbers they have - and then go around saying: 'Actually, I'd also like to have won the Costa Book of the Year?' That would be ridiculous.
If I hadn't read all of Jane Austen and DH Lawrence, Tolstoy and Proust, as well as the more fun stuff, I wouldn't know how to break bad news, how to sympathise, how to be a friend or a lover, because I wouldn't have any idea what was going on in anybody else's mind.
