I think fiction, for me, is a way of trying to understand why people do the things they do - and trying to explain what is, at heart, illogical.
I spent my childhood watching every scary movie that Hollywood ever made. And I think that gave me the best education for storytelling. It also made me want to reproduce the scary moments that I felt, sitting in a theater at the age of 5.
In 'Last to Die,' three children living in different cities are the only survivors when their families are slaughtered. Two years later, their foster families are murdered, and these three orphans are once again the only survivors.
The hunting of monsters is not for the faint of heart. Nor is it for those who feel bound by such trivial doctrines as law or national borders.
My brother and I spent our childhood in movie theaters screaming. I decided early on that that was the epitome of entertainment. I'm always trying for that same level of adrenaline in my books.
I sold my first short story while I was home on maternity leave, then began working on novels. Since I was reading and enjoying romance novels at the time, the first two unpublished manuscripts I wrote were both romances. I sold my third novel, 'Call After Midnight,' to Harlequin Intrigue after submitting it unagented.
