The standard publishing contract is replete with clauses that strip authors of control over their books.
In 1946, the year I was born, Yankee Stadium was only 23 years old. But from my perspective as a boy, it had been around forever. At age seven, I saw it for the first time. As I grew older and was allowed to navigate the city's subway system on my own, I went to Sunday doubleheaders with friends on a regular basis.
For thousands of years, the most physically imposing buildings on earth were temples, churches, and mosques. But in the 20th century, new houses of worship came to dominate the landscape. Yankee Stadium is the most storied of these contemporary shrines.
Presidential election campaigns offer a unique opportunity to educate the public and engage in an intelligent dialogue on issues of national importance.
Three of my childhood dreams went unfulfilled. I never saw a no-hitter, never saw a triple play, and never caught a ball that had been hit into the stands. But I did see the Yankees beat the Brooklyn Dodgers in a World Series game when I was 10.
Publishing is a business. It's about squeezing every last dollar out of every available source, and the most vulnerable source is the author. No clearer proof of that exists than the 'standard' book contract.
