Any kind of run-of-the-mill flaws that are easily solved, to me, are boring. Situational flaws, for example. I like flaws that are rooted in a deep distrust in people because of a lack of love.
But since day one, we've always been kinda up against it. So at the end, it's not surprising that we were kind of led along for so many months and didn't know what the fate of the show was gonna be. It was... in a weird way, just kind of that was the way it's always been.
Yeah, you know, within the context of TV families, these are pretty unsavory characters.
If you have a character that doesn't have anything wrong with him, there's nothing funny about it. The idea of the straight man is very important. But I'd rather it be somebody else, because it's not as fun.
And then we've got Blades of Glory, and we've got Brothers Solomon, and I've got a script in development with this guy Chuck Martin who used to write on Arrested, and, you know, we have a few things in various stages of development.
The thing I always try to hold onto with 'BoJack' and with 'Flaked' is that maybe there is a sliver of hope that they are going to turn it around. They are just having a tough time getting there. And that's the thing with 'BoJack' - he is obviously depressed.
