Now, to read poetry at all is to have an ideal anthology of one's own, and in that possession to be incapable of content with the anthologies of all the world besides.
Shakespeare often writes so ill that you hesitate to believe he could ever write supremely well; or, if this way of putting it seem indecorous and abominable, he very often writes so well that you are loth to believe he could ever have written thus extremely ill.
Shakespeare and Rembrandt have in common the faculty of quickening speculation and compelling the minds of men to combat and discussion.
It matters not how strait the gate, How charged with punishments the scroll; I am the master of my fate: I am the captain of my soul.
Balzac's ambition was to be omnipotent. He would be Michelangelesque, and that by sheer force of minuteness. He exaggerated scientifically, and made things gigantic by a microscopic fulness of detail.
Essayists, like poets, are born and not made, and for one worth remembering, the world is confronted with a hundred not worth reading. Your true essayist is, in a literary sense, the friend of everybody.
