It's very hard to find critics or a magazine today that will publish material that is genuinely independent and written without any concern about being cut off some distributor's list or not be invited or flown into screenings.
The Cuban people have an amazingly strong and unbroken spirit.
But I think that the spirit of protectionism would be the grave of European cinema. You cannot protect something by building a fence around it and thinking that this will help it survive.
Film is a very, very powerful medium. It can either confirm the idea that things are wonderful the way they are, or it can reinforce the conception that things can be changed.
Maybe it's the music that enables them to function like that, to always take everything as it comes and never complain about the misery, hardship or injustice.
Filmmakers and critics wrote about each other and sometimes very harshly. This no longer exists.
