A character takes shape in the act of writing. You start with something, and you add or subtract.
I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.
Muslim anger has, of course, been stoked by America's war in Iraq and by Israel's brutal policies toward Palestine and Lebanon.
A writer can be subjective, even digressive, or introspective and certainly judgmental. This is a simplification, of course, but as a general rule, it holds true.
India allows you the luxury of a million inequalities. You can be a schoolboy selling tea to passengers sitting in a state transport bus, but you are royalty when compared to a shirtless, barefoot village boy, from what was traditionally considered an untouchable caste, living on snails and small fish - and sometimes rats.
What is said by the person holding a megaphone inciting a crowd, or what is said by someone who incites a rumour? And what is the difference between that person and me, sitting in my room imagining something, telling a story?
