Muslim anger has, of course, been stoked by America's war in Iraq and by Israel's brutal policies toward Palestine and Lebanon.
A character takes shape in the act of writing. You start with something, and you add or subtract.
I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.
A writer can be subjective, even digressive, or introspective and certainly judgmental. This is a simplification, of course, but as a general rule, it holds true.
India allows you the luxury of a million inequalities. You can be a schoolboy selling tea to passengers sitting in a state transport bus, but you are royalty when compared to a shirtless, barefoot village boy, from what was traditionally considered an untouchable caste, living on snails and small fish - and sometimes rats.
What is said by the person holding a megaphone inciting a crowd, or what is said by someone who incites a rumour? And what is the difference between that person and me, sitting in my room imagining something, telling a story?