Quotes by "Anton Chekhov"

Don't tell me the moon is shining; show me the glint of light on broken glass.

If you cry "Forward," you must make plain in what direction to go.

Men are made for happiness, and anyone who is completely happy has a right to say to himself: "I am doing God's will on earth."

Medicine is my lawful wife. Literature is my mistress.

A man and a woman marry because both of them don't know what to do with themselves.

Man is what he believes.

My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying . . . one must ruthlessly suppress everything that is not concerned with the subject. If, in the first chapter, you say there is a gun hanging on the wall, you should make quite sure that it is going to be used further on in the story.

You have lost your reason and taken the wrong path. You have taken lies for truth, and hideousness for beauty. You would marvel if, owing to strange events of some sorts, frogs and lizards suddenly grew on apple and orange trees instead of fruit, or if roses began to smell like a sweating horse; so I marvel at you who exchange heaven for earth. I don't want to understand you.

There is nothing good in this world that does not have some filth in its origin.

The illusion which exalts us is dearer to us than ten thousand truths.

Wisdom.... comes not from age, but from education and learning.

And I despise your books, I despise wisdom and the blessings of this world. It is all worthless, fleeting, illusory, and deceptive, like a mirage. You may be proud, wise, and fine, but death will wipe you off the face of the earth as though you were no more than mice burrowing under the floor, and your posterity, your history, your immortal geniuses will burn or freeze together with the earthly globe.

And only now, when he was gray-haired, had he fallen in love properly, thoroughly, for the first time in his life.

Ivanov: And this whole romance of ours is commonplace and trite: he lost heart, and he lost his way. She came along, strong and brave in spirit, and gave him an helping hand. That's all very well and plausible in novels, but in life... Sasha: In life it's the same. Ivanov: I see you have a fine understanding of life!

And what does it mean -- dying? Perhaps man has a hundred senses, and only the five we know are lost at death, while the other ninety-five remain alive.

Even in Siberia there is happiness.

Three o'clock in the morning. The soft April night is looking at my windows and caressingly winking at me with its stars. I can't sleep, I am so happy.

What they sang had occurred to him before, but this thought had somehow sat behind other thoughts in his head and flashed timidly, like a distant lantern in misty weather. And he felt that this suicide and the peasant’s grievances lay in his conscience too; to be reconciled with the fact that these people, submissive to their lot, heaped on themselves what was heaviest and darkest in life — how terrible it was! To be reconciled with that, and to wish for oneself a bright, boisterous life among happy, contented people, and to dream constantly of such a life, meant to dream of new suicides by overworked, careworn people, or by weak neglected people, whom one sometimes talked about with vexation or mockery over dinner, but whom one did not go to help.

Why are we worn out? Why do we, who start out so passionate, brave, noble, believing, become totally bankrupt by the age of thirty or thirty-five? Why is it that one is extinguished by consumption, another puts a bullet in his head, a third seeks oblivion in vodka, cards, a fourth, in order to stifle fear and anguish, cynically tramples underfoot the portrait of his pure, beautiful youth? Why is it that, once fallen, we do not try to rise, and, having lost one thing, we do not seek another? Why?

If Makar Denisych was just a clerk or a junior manager, then no one would have dared talk to him in such a condescending, casual tone, but he is a 'writer', and a talentless mediocrity! People like Mr Bubentsov do not understand anything about art and are not very interested in it, but whenever they happen to come across talentless mediocrities they are pitiless and implacable, They are ready to forgive anyone, but not Makar, that eccentric loser with manuscripts lying in his trunk. The gardener damaged the old rubber plant, and ruined lots of expensive plants, and the general does nothing and goes on spending money like water; Mr Bubentsov only got down to work once a month when he was a magistrate, then stammered, muddled up the laws, and spoke a lot of rubbish, but all this is forgiven and not noticed; but there is no way that anyone can pass by the talentless Makar, who writes passable poetry and stories, without saying something offensive. No one cares that the general's sister-in-law slaps the maids' cheeks, and swears like a trooper when she is playing cards, that the priest's wife never pays up when she loses, and the landowner Flyugin stole a a dog from the landower Sivobrazov, but the fact that Our Province returned a bad story to Makar recently is know to the whole district and has provoked mockery, long conversations and indignation, while Makar Denisych is already being referred to as old Makarka. If someone does not write the way required, they never try to explain what is wrong, but just say: 'That bastard has gone and written another load of rubbish!