Stories can conquer fear, you know. They can make the heart bigger.
The most authentic thing about us is our capacity to create, to overcome, to endure, to transform, to love and to be greater than our suffering.
This earth that we live on is full of stories in the same way that, for a fish, the ocean is full of ocean. Some people say when we are born weβre born into stories. I say weβre also born from stories.
The best writing is not about the writer, the best writing is absolutely not about the writer, it's about us, it's about the reader.
The worst time was 1983. Love and life and everything went wrong. I reached absolute rock bottom. I saw the Minotaur at the bottom of the abyss. I learnt of the harshness of the world and its impartiality to human failure.
We never think that our mothers will die. It was like suddenly an abyss opened at my feet - I was standing on nothing. It was the strangest thing. Her passing away ripped the solidity out of the world.
Fire is one of my temperaments. It is behind all my work... Fire is a chemical presence.
Home can be the friend you have been searching for all your life or the person you met once very briefly.
Reading is an act of civilization; it's one of the greatest acts of civilization because it takes the free raw material of the mind and builds castles of possibilities.
I was born left-handed, but I was made to use my other hand. When I was writing 'Famished Road,' which was very long, I got repetitive stress syndrome. My right wrist collapsed, so I started using my left hand. The prose I wrote with my left hand came out denser, so later on I had to change it.
At the heart of 'The Famished Road' is a philosophical conundrum - for me, an essential one: what is reality? Everybody's reality is subjective; it's conditioned by upbringing, ideas, temperament, religion, what's happened to you.
Reading, like writing, is a creative act. If readers only bring a narrow range of themselves to the book, then they'll only see their narrow range reflected in it.
I believe in leavening. You can't have words sticking out too much, like promontories. They disturb the density. You have to flatten them, or raise the surrounding terrain.
I went to London because, for me, it was the home of literature. I went there because of Dickens and Shakespeare.
'The Rime of the Ancient Mariner' had a formative effect on me. I think it's one of those works that if you encounter it very early you're doubly enchanted by the beauty of the language and the strangeness of the vision. It stays with you.
I lived rough, by my wits, was homeless, lived on the streets, lived on friends' floors, was happy, was miserable.
The acknowledged legislators of the world take the world as given. They dislike mysteries, for mysteries cannot be coded, or legislated, and wonder cannot be made into law. And so these legislators police the accepted frontiers of things.
If you are working in an office, where do you find the time to write a novel? But you can finish a short story in five pages. Furthermore, a short story is a perfect place to learn the craft.
One of the greatest gifts my father gave me - unintentionally - was witnessing the courage with which he bore adversity. We had a bit of a rollercoaster life with some really challenging financial periods. He was always unshaken, completely tranquil, the same ebullient, laughing, jovial man.
One of the greatest gifts my father gave me - unintentionally - was witnessing the courage with which he bore adversity.
