We're all part of humanity. And maybe there's something about the worst people, with the most destructive, warped minds, that is just an acceleration of something that is in quite a few of us.
There is a bearing which comes from having a little bit of something withheld. In acting classes, they always say don't reveal 100 percent: it's much more interesting.
I always loved asking everybody when I arrived in England, from the drivers who picked me up to the people at the hotel to people I met when I was walking in the park, almost everyone at some point would say, 'Everyone loves Ant & Dec!' From eight to 80.
American audiences and European and Asian audiences are so different.
I always feel like there's some behaviour that we're all capable - we have our inhibitions protecting from indulging in certain appetites or developing certain appetites.
It's astounding how challenging plays are... The scary part is that you get to encounter humanity in a way you don't in films. The audience amplifies the experience.
It's astounding to me that in a country where there is an ever-growing divide between rich and poor, that people won't accept the need for regulation on banks and salaries and so on.
I planted an orchard when I was 13. The impulse came from wanting to grow my own apples. That and the nursery catalog showed an apple tree with a beautiful girl standing under the fruit. Whether the flavor or the picture that did it, I've been hooked since.
Truthfully, I almost avoided 'While You Were Sleeping,' because I find those romantic comedies kind of precious, and they're full of lines that leave you feeling a little bewildered when you say them.
I've always been what they call a late bloomer.
I like those crisis moments - if you're on top of it and don't get pulled under by panic and fear, it's a very bonding thing.
I have gotten a number of invitations to be on television shows as 'the dad,' but that was Kryptonite to me. I was like, 'This would be the death of me. I'll be a cesspool of niceness.' It doesn't feed me.
I think Westerns are always so great for clearing out the clutter and the ambiguities, and getting right to the broad strokes of that kind of situation.
Sometimes you fall into the niche of being the confidant guy, or the good-looking guy, or being too charactery, or not charactery enough.
I've been lucky to have opportunities with David Lynch in 'Lost Highway' and Jennifer Lynch in this movie 'Surveillance,' so I've always boomeranged around a little bit, and no one has caught my foot in the trap yet, but I think if I move fast enough... 'cos I think I got trapped a couple of times.
'Zabriskie Point' was a time when I was in a lot of change and flux, and these incredible visuals hit me like they had rearranged the organs in my body. The ending and the free-floating debris and everything is an image that burned itself in my consciousness.
I've seen a lot of actors in a lot of different stages of their careers, and I've seen it come and go. People get a sense of entitlement from it. And that's when it starts getting you in trouble.
The military is a discrete entity. Then they come back, and they're such a small percentage of the population, and they can't really - it's hard for them to talk to civilians.
I'm a very discriminating shoe shopper. I only look for something special. In fact, I don't think I've ever bought two pairs at the same time.
I did 'Malice,' 'Sommersby,' and 'Sleepless in Seattle,' and they're as disparate characters as I've ever played. But somehow, there was that thing - they were all second male leads, so they all didn't get the girl in some weird way.
