I hate the whole concept of comfort! It's like when people say: 'Well we're not really in love but we're in a comfortable relationship.' You're abandoning a lot of ideas when you're too into comfort.
You're abandoning a lot of ideas when you're too into comfort.
I like Adele, Mika, Natacha Atlas and a beautiful old record, 'An Evening with Belafonte/Mouskouri,' starring Harry Belafonte and Nana Mouskouri. What they have in common is they all have incredible voices. I am very much into voices. I would say I'm a fan of voices, not of sound. I'm a fan of singers, not of bands.
I hate the idea of natural. For example, I prefer gardens to wild nature. I like to see the human touch. High heels are a complete invention - an extravagance. They're far from natural, but it's the impracticality that I adore. I prefer the useless to the useful, the sophisticated to the natural.
Fashion isn't interesting when it comes from an uninspired place. It's like voodoo; we don't want things that are soaked in blood, sweat, and tears. I adore life, and I'm very easygoing - and it shows in my work.
I have no problem with the idea of comfort, but it is not an important thing aesthetically. If you look at a shoe and immediately say it looks very comfortable, in terms of design, it is not going to excite me. Of course, I am not putting nails in my shoes to ensure everybody is in pain, but a heel is not a pair of slippers and never will be.
I remain faithful to bourbon sour. It's absolutely delicious. You'd have to ask a bartender what's in it, but I think if you know you might never have a drink. I also love a little rum, 7 years aged, brown, when it is chilly, before dinner.
'Comfy,' that's one of the worst words! I just picture a woman feeling bad, with a big bottle of alcohol, really puffy. It's really depressing, but she likes her life because she has comfortable clogs.
My drawing for women is really curvy. My drawings for men are actually quite angular.
No woman wants to have fat ankles.
I was born in Paris in the mid-1960s, and by the time I was 12 I had started going to the movies by myself. Most of the movies of that period never appealed to me. I didn't like the 'naturalism,' the sad or the 'down-to-earth' characters. What I wanted from film was fantasy, dreams, funny situations, extravagant decor - and beautiful women.
If the height of the heel is the same as the length of your foot, it starts to look wrong. And if the heel is positioned badly on the sole, you get into ballerina territory, where the body is pushed into a very strange posture. You can exaggerate the arch only so much.
A lot of my friends have tattoos; I realized that it's not only just a part of pop culture, but a bit of a map on someone's body, which says something about people. A part of their life, like an armor or a crest.
A house is very much like a portrait. I cannot disconnect houses from people. The thought of arrangement, the curves and straight lines. It gives an indication of the character at the heart of it.
For women raised in the '70s, high heels can still carry a stigma; they're associated with being stupid, with just wanting to please a man. Other women find them empowering.
The thing I always try to remember is that feet are attached to the leg, and that you must prolong the silhouette. The shoe elongates the leg and does it discreetly. The goal is to get people to look at a woman's legs. It's all about the leg. No, it's not about the leg. It's about the woman.
Born and raised in Paris, I am deeply attached to my city; we almost have half a century of love story together, where I have been truly completely faithful! The most beautiful city in the world is my city, yeepeeee!
I was born 20 years after my eldest sister. I was the pampered child. That kind of love gives you an almost unbreakable backbone. My mother had three kids before me. She let me be completely free. I just never had anything to beat myself up over.
Even if you don't like colours, you will end up having something red. For everyone who doesn't like colour, red is a symbol of a lot of culture. It has a different signification but never a bad one.
I'm really not a fascist. Everyone wears what they feel great in, or comfortable with. It's a beautiful day, you have an armless shirt: it goes with flip-flops.
