I was regularly advised not to go into music, that I should give up that foolish dream.
I hope that just what I sing about and how I relate to my audience is as much of a political statement as I need to make.
I've never been much of a craftsman, in an educated way. But I think just the experience of writing makes the avenues I follow a little more efficient in some ways. At the same time, when you're young, you're a little more fearless, and there's less of an internal critic.
Nothing is black or white, nothing's 'us or them.' But then there are magical, beautiful things in the world. There's incredible acts of kindness and bravery, and in the most unlikely places, and it gives you hope.
Being a white South African, I enjoyed the better things that that country gave to a small percentage of its population.
I found there's a fairly blatant racism in America that's already there, and I don't think I noticed it when I lived here as a kid. But when I went back to South Africa, and then it's sort of thrust in your face, and then came back here - I just see it everywhere.
I'm a bit of a caveman - I don't go out into the digital space very often. I lie facedown on the grass and count how many bugs I can find.
It is criminal to put our servicemen and women in harm's way and to put the lives of so many civilians on the line for the misguided frustrations of the Bush administration.
I'm familiar with that feeling of silence that comes with a very imminent catastrophe, when you know you have absolutely no control over a situation.
When I listen to my favorite songwriters, they have such simple melodies and chords. I occasionally manage to stop at the right time, but all too often I keep on going until I have way too many notes and words. But that's just what I do.
I want to figure out a way to not be stupid with money, then make a whole bunch of it, then I want to move to Outer Mongolia. I want to milk a yak. Maybe I'll just settle for a cow.
I want to figure out a way to not be stupid with money, then make a whole bunch of it, then I want to move to Outer Mongolia. I want to milk a yak. Maybe I'll just settle for a cow. Can you milk a bison?
We give the podium to a lot of people who shouldn't have the podium. The message that's delivered the loudest and in the most entertaining way is the one that we're going to put on because that's what we want. We want ratings more than we want to deliver information. That's just where the culture's gotten.
South Africa gives me a perspective of what's real and what's not real. So I go back to South Africa to both lose myself and gain awareness of myself. Every time I go back, it doesn't take long for me to get caught into a very different thing. A very different sense of myself.
So often we talk about saving the planet, but what we really mean is to save the planet the way it is, so we can live here. So that is can sustain us. Because the planet doesn't need to be saved. It doesn't care if all the squirrels, elephants, and trees die and there's just a couple of amoebas floating around at the poles.
I fear that our true motivation is about oil and our own flailing economy; about the failure to destroy Al Qaeda and about revenge.
I think I'm probably a very sad man wrapped in a very joyful package, and I think I'm very resilient, and I think I'm quite generous, sometimes to a fault. And I'm very bad with money, but I don't see that too much of a flaw.
For me, in songwriting, I have a route I can take. Maybe there's some forks, I can go this way, this way. But I know those roads. I still have the experience behind me.
I do still get shocked every once in a while when I catch my reflection when I'm walking past a glass building, but it's in my mind about getting older and finding out what I'm going to look like as it unfolds - or as it folds, depending on where the marks and scars land.
Good music is good music, and everything else can go to hell.
