I have pictures of me sitting in the racquetball court in my pajamas with an acoustic guitar, and Wolfgang is probably just two-and-a-half-feet tall. I'll never forget the day I saw his foot tapping along in beat! I knew then, I couldn't wait for the day I'd be able to make music with my son. I don't know what more I could ask for.
If you have a great-sounding guitar that's a quality instrument and a good amp, and you know how to make the guitar talk, that's the key. It starts with the guitar and knowing what it should sound and feel like.
I can't read music. Instead, I'd do stuff inside the piano, do harmonics and all kinds of crazy things. They used to put me in these annual piano contests down at Long Beach City College, and two years in a row, I won first prize - out of like 5,000 kids! The judges were like, 'Very interesting interpretation!' I thought I was playing it right.
I can't read music. Instead, I'd do stuff inside the piano, do harmonics and all kinds of crazy things. They used to put me in these annual piano contests down at Long Beach City College, and two years in a row, I won first prize - out of like 5,000 kids!
My son, Wolfgang, plays drums, guitars and bass.
I grew up on a lot of early Beatles, DC5, Cream, Clapton, Page, Beck and Hendrix.
Imagine if Beethoven had a tape recorder. Then you'd know exactly what he meant. Maybe he meant 'Da da da da' instead of 'Boom boom boom boom!' Who knows?
The stainless-steel frets were a major breakthrough, because of the amount of playing and bending that I do. I have to get my guitars refretted every couple of months.
I mean it's funny, playing music, how of course you want it to do well, you want them to like it, but it's not competitive like an election, it's the Olympics, it's not a Formula 1 race. The Billboard charts are just to show you what people like.
A guitar is a very personal extension of the person playing it. You have to be emotionally and spiritually connected to your instrument. I'm very brutal on my instruments, but not all the time.
'For Unlawful Carnal Knowledge' took a year to record; that's why the playing on it might sound somewhat labored. 'Balance,' on the other hand, was written and recorded in only four months, so the whole process was quicker and more immediate.
It's always a Catch-22 situation. They hate you if you're the same, and they hate you if you're different.
I'm not a rock star. Sure I am, to a certain extent because of the situation, but when kids ask me how it feels to be a rock star, I say leave me alone, I'm not a rock star. I'm not in it for the fame, I'm in it because I like to play.
The only band I was really over-into was Cream. And the only thing I really liked about them was their live stuff 'cause they played two verses, then go off and jam for 20 minutes, come back and do a chorus and end. And I love the live jam stuff, the improvisation.
The one thing I do have is good ears. I don't mean perfect pitch, but ears for picking things up. I developed my ear through piano theory, but I never had a guitar lesson in my life, except from Eric Clapton off of records.
When I was growing up and listening to bands like the Dave Clark Five, the groove was what initially got me going. I really like that funky, heavy groove.
Cancer is like a cockroach. It just comes back stronger. I'm tearing apart the immune system of the cockroach and seeing how it ticks. I've opened up my own pathology center.
On 'Van Halen,' I was a young punk, and everything revolved around the fastest kid in town, gunslinger attitude. But I'd say that at the time of 'Fair Warning,' I started concentrating more on songwriting. But I guess in most people's minds I'm just a gunslinger.
There are really three parts to the creative process. First there is inspiration, then there is the execution, and finally there is the release.
On 'Honeybabysweetiedoll' I used a Whammy, a Boss OC-3 octave box, a Sustainer and a Line 6 DL4 Delay Modeler. That's only on the intro, where all those weird noises are happening.
