I was who I was in high school in accordance with the rules of conduct for a normal person, like obeying your mom and dad. Then I got out of high school and moved out of the house, and I just started, for lack of a better term, running free.
My general take on American music since 1969 is that it's just getting stiffer and people are getting more uptight - audience, performance, and palace guard.
Miami's not anybody's poor cousin. It's an aspiration to live in this town, not something you have to do to promote yourself like some of the larger cities.
I was a pretty nice kid. Kind of quiet, but quiet in terms I wasn't going out and setting fire to anything. I had a big mouth and I was creative type, you know.
In 1965, when great young white artists in the English-speaking world were successfully re-channeling hillbilly and black music - you know Bob Dylan, Ray Davies, Pete Townsend, Keith Richards - they didn't get any money at first. They were all broke.
Second only to the sea, the Miami sky has been the greatest comfort in my life past 50. On a good day, when the wind blows from the south, the light here is diffuse and forgiving.
I like semi-torn-down places where I could get nestled in and get something done without anyone bothering me.
When the 'godfather of punk' thing started floatin' around, it was, I was really, really embarrassed. I thought I should have a great, big rig and a cape and everything, and it was very embarrassing. And then after a while, you learn that if people call you anything, this is a great gift.
I'm a little bit damaged in about 15 different ways, and it's been nice that no particular damaged area has become a major issue. I'm a more than moderately healthy 65-year-old male who has gotten away with a lot of stuff.
Look, you're here to see me, and I can't go on until my dealer is here, and he's waiting to be paid, so give me some money so I can fix up, and then you'll get your show.
Living in England was wonderfully civil and easy-going.
I became Iggy because I had a sadistic boss at a record store. I'd been in a band called the Iguanas. And when this boss wanted to embarrass and demean me, he'd say, 'Iggy, get me a coffee, light.'
I try to beat back the producers and engineers so they - there's not an excess of stuff used to squeeze my voice to make it artificial. There's a person in there, and people will listen; if they hear another person speak to them, they'll listen because it's lonely out here.
I'm a travel enthusiast.
What did Christ really do? He hung out with hard-drinking fishermen.
Miami is nothing like me, and that's why I need to be here - it's the opposite. I'm practical, where this place is moody, I'm stolid in my interior, where this place has a certain flair, and I'm materialistic in a sense that this place is fundamentally spiritual - there's a quicksilver quality about this place.
Stages are getting higher and higher, and I'm getting older and older.
'Punk rock' is a word used by dilettantes and heartless manipulators about music that takes up the energies, the bodies, the hearts, the souls, the time and the minds of young men who give everything they have to it.
Studios are like hospitals. A lot of people check in, and they don't check out.
My parents wanted to light my artistic candle. But over time, the definition of 'the arts' began to stretch. And as I got older, they suddenly realized, Oh, my God, we're the parents of Iggy Pop.
