...nobody owes you anything, so when you get something, be appreciative.
All the academy will tell you that the language that is familiar to you is not appropriate. and that's not to say that there shouldn't be a standard, but when I come to school with my friends' language, my grandmother's language, the language in my mouth - you're going to tell me that's improper?
I try to be an active griever. I feel like we lean on time because of the trope 'Time heals all wounds.' And there is truth to that, but I don't think that it's absolute. I think that to grieve and to deal and cope, you have to be actively processing the information. Have your moments, be broken, and allow yourself to fully express pain.
I am a consummate metaphor addict.
Queen Latifah was writing poetry. Maybe Latifah's 'Ladies First' and Angelou's 'Phenomenal Woman' are the same thing, a generation apart.
I know the feeling of confusion and betrayal. I know the feeling of fearing for my life.
I love, loved, loved 'We Real Cool' by Gwendolyn Brooks.
I have a chip on my shoulder I pet every morning, a constant feeling like I have something to prove. Hearing that the canon can't be diversified, there's no room for more brown faces - that fueled my fire.
I would go to the store, I would buy cassette tapes, and I would read the liner notes and sort of subconsciously creating the connections between the rappers that I was reading and the poets that they were teaching us in school.
The truth of the matter is that chess is not the game of life because life does not ever happen the way you strategize and plan.
Poetry has the ability to create entire moments with just a few choice words. The spacing and line breaks create rhythm, a helpful musicality, a natural flow. The separate stanzas aid in perpetuating a kind of incremental reading, one small chunk at a time.
Rappers are the white authors of our generation. They know me, my language, my codes, my family, my block.
My relationship to comics isn't nearly as strong as some people's. Ha! I mean, I grew up with a comic book fanatic. My older brother was, and still is, obsessed. And I was obsessed with the fact that he was obsessed, because I was obsessed with him. But not necessarily with comics themselves.
I believe that every character is a setting, a world with moving parts, and on the other hand, every setting is, in fact, a character - a living breathing thing with personality and backstory. The way stories come to life, at least for me, is when these elements commune in relationship to one another.
It wasn't that the teachers were bad. From what I can remember, they were pretty good. It was about the selection of books. It was about not seeing my young life reflected back to me: my family dynamics, the noise and complexities of my neighborhood, the things I loved, like ice cream trucks and Kool-Aid.
I read tons of books, listen to music non-stop, watch as many movies as possible, catch a play when I can, art shows, concerts, bar talks - I just try to engage in art, which to me is everywhere, as often as I can because narrative lives in it all.
I was eight years old when I got the talk about what to do if a police officer stops me. I was 15 when I was face-down on the curb for the first time.
Be not afraid of discomfort. If you can't put yourself in a situation where you are uncomfortable, then you will never grow. You will never change. You'll never learn.
If a kid is reading a book about someone who looks like them but doesn't talk like them, we stunt their growth by dissing them.
Hip-hop saved me. It gave me permission to use language in a certain way. It validated my community and my friends. It gave our slang a certain elegance.