Sometimes you have to take a thing when it comes and be glad. I first began to feel this way in '57, when I started to get myself together musically, although at the time I was working academically and technically.
I've been listening to jazzmen, especially saxophonists, since the time of the early Count Basie records, which featured Lester Young. Pres was my first real influence, but the first horn I got was an alto, not a tenor.
My mother had aspirations to become a concert singer. Her Methodist Minister father didn't approve of young girls leaving home until they married, so she had to pass it up.
I think I was first awakened to musical exploration by Dizzy Gillespie and Bird. It was through their work that I began to learn about musical structures and the more theoretical aspects of music.
In the year of 1957, I experienced, by the grace of God, a spiritual awakening, which was to lead me to a richer, fuller, more productive life.
I first met Miles Davis about 1947 and played a few jobs with him and Sonny Rollins at the Audubon Ballroom in Manhattan. During this period, he was coming into his own, and I could see him extending the boundaries of jazz even further.
God breathes through us so completely... so gently we hardly feel it... yet, it is our everything.
All a musician can do is to get closer to the sources of nature, and so feel that he is in communion with the natural laws.
I've always felt that even though a man was not a Christian, he still has to know the truth some way or another. Or if he was a Christian, he could know the truth. The truth itself doesn't have any name on it to me. And each man has to find this for himself, I think.
In any situation that we find in our lives, when there is something that we feel should be better, we must exert effort to try and make it better. So it's the same socially, musically, politically in any department of our lives.
Sheets of sound. Well, that was when I got tired of certain modulations. Like when you want to get back to C, and you've got to go to D and then G and then C. I was fooling around with the piano, and I figured out some other way to do it.
Overall, I think the main thing a musician would like to do is give to the listener the many wonderful things he knows of and senses in the universe... That's what I would like to do. I think that's one of the greatest things you can do in life, and we all try to do that in some way. The musician's is through his music.
I've been devoting quite a bit of my time to harmonic studies on my own, in libraries and places like that. I've found you've got to look back at the old things and see them in a new light.
Any time you play your horn, it helps you. If you get down, you can help yourself even in a rock 'n' roll band.
I think that music, being an expression of the human heart, or of the human being itself, does express just what is happening - the whole of human experience at the particular time that it is being expressed.
I think music is an instrument. It can create the initial thought patterns that can change the thinking of the people.
I think the main thing a musician would like to do is give a picture to the listener of the many wonderful things he knows of and senses in the universe.
Thankfully now, through the merciful hand of God, I do perceive and have been fully reinformed of his omnipotence. It is truly a love supreme.
My goal is to live the truly religious life and express it through my music. If you can live it, there's no problem about the music, because it's part of the whole thing.
I start from one point and go as far as possible. But, unfortunately, I never lose my way. I 'localize,' which is to say that I think always in a given space. I rarely think of the whole of a solo, and only very briefly. I always return to the small part of the solo that I was in the process of playing.
