[BURR] I am the one thing in life I can control.
[HAMILTON] I imagine death so much it feels more like a memory
Love is love is love is love is love is love is love is love cannot be killed or swept aside.
I can't say I have enough experience with Hollywood to feel that I've encountered racism there. I can tell you that I did about five fruitless years of auditioning for voiceovers where I did variations on tacos and Latin accents, and my first screen role was as a bellhop on 'The Sopranos.'
When I was asked to do a song from 'In the Heights' at the White House in 2009, I chose instead to do 'Alexander Hamilton' because I felt like I was meeting a moment.
I made a movie when I was 15 years old with all my friends. This is when IMDb was a little more lax with its proceedings, so it's listed as one of my projects. I was 15 years old; it's a terrible movie. I wrote 50 percent of it because I wanted to kiss this one girl, and I wrote a kissing scene for it.
We've had characters like Trump in American politics forever, characters who trade on xenophobia.
I always had an eye toward the stage for the story of Hamilton's life, but I began with the idea of a concept album, the way Andrew Lloyd Webber's 'Evita' and 'Jesus Christ Superstar' were albums before they were musicals.
I'm honored to have been chosen as a fellow of the John D. and Catherine T. MacArthur Foundation. I am hugely appreciative for the support I have had throughout my life, and I look forward to using the grant to help institutions that have fed my soul and to support new work that inspires me.
You could do a 'Les Mis'-type musical about Hamilton, but it would have to be 12 hours long, because the amount of words on the bars when you're writing a typical song - that's maybe got 10 words per line.
A lot of the reason the Universal version of 'Heights' went away is that they were afraid they didn't have a big enough Latino star to bankroll this movie. The people I dealt with at the studio who wanted to make this movie were very passionate about it.
Biggie and Big Pun were the best storytellers of the '90s. I would get wrapped up in the narrative of what they were talking about.
I like to separate the music- and lyric-writing processes if I can. I'll sort of noodle around on my keyboard and my computer until I have a beat or a chord progression, I'll record it as a loop, export it to iTunes, then walk around with the loop and sort of talk to myself in the loop, and that's how I get the lyrics.
The fun for me in collaboration is, one, working with other people just makes you smarter; that's proven.
'West Wing' was huge. Like 'Hamilton,' it pulls back the curtain on how decision-making happens at the highest level, or at least how you hope it would be. The amount of information Aaron Sorkin packs into a scene gave me this courage to trust the audience to keep up.
I don't differentiate between black and Latino actors. We're in the same struggle to be represented in a way that's even close to honest. And I can tell you that the amount of Latino characters I can point at and say, 'That's what my life experience looks like' - I can't think of any off the top of my head besides Jimmy Smits in 'Mi Familia.'
One of my first favorite books was 'The 12 Days of Christmas,' and I would just go up to people and say, 'I can sing 'The 12 Days of Christmas,' and I would make them sit through me reciting it, and I'd go all the way, each time. I've always hooked into lyrics.
We love 'Fiddler.' We love 'West Side Story.' I want to be in that club. I want to be in the club that writes the musical that every high school does.
Anytime you write something, you go through so many phases. You go through the 'I'm a Fraud' phase. You go through the 'I'll Never Finish' phase. And every once in a while you think, 'What if I actually have created what I set out to create, and it's received as such?'
You know what's a great way of tricking people into thinking you're a genius? Write a show about geniuses!
