We don't make movies for critics. I've done four movies; there's millions upon millions upon millions of people who've paid to see them. Somebody likes them. My greatest joy is to sit anonymously in a dark theater and watch it with an audience, a paying audience.
The press don't like to say nice things because nice is boring. It's much better to label me the devil. What we do is not brain surgery. We are entertainers, plain and simple, and we're responsible to bring that money back, to make a profit.
I can be very reserved about things. My business side isn't shy. I can be like a general. But I've got a shy side. I'm also a lot deeper than people think, and a lot more sensitive. But I don't let people in too much.'
For me, the great joy is to watch an audience watching what I've made. To hear not a peep from the audience at the right moment, and then to hear the laughs and the cheers.
I look at directing as a sporting event. It's a race, a marathon. It's great when it clicks, which is why I push my crews so hard so we can excel.
Fast cars are my only vice.
I allow a lot of room for improvisation and funny stuff. I always feel planned.
There are things that I invented - the creaky geriatric robot that is always grumpy, for example, or the little wheelie guy, he's not in the Hasbro lore. But kids love that stuff - this little guy as a pet on a chain. They gravitate towards it.
It's... a hard thing for a director, to think you came up with a shot, something from your mind, and someone died while doing it. It's the worst thing you'll ever have to live with. It was very hard for me to get back on the horse again.
You'll hear people say now, 'Oh, I don't want to see something in 3-D. That's wrong, because what they've seen is 3-D done poorly.
Everybody knows about Pearl Harbor. The thing that really fascinated me is that through this tragedy there was this amazing American heroism.
A lot of directors don't want the pressure of a movie the size of Pearl Harbor. But I love it. I thrive on it.
It's great that I get accused of not being politically correct. People need to take themselves less seriously. This world is so screwed up as it is, we've all got to relax a bit more.
What I look for in a script is something that challenges me, something that breaks new ground, something that allows me to flex my director muscle. You have got to think fast in this business, you've got to keep reinventing yourself to stay on top.
I'm one of the few directors that actually shoots a lot in camera.
I'm done with effects movies for now. When you do a movie like 'Transformers', it can feel like you're doing three movies at once - which is tiring.
And a lot of the artists and people that we hired were fans of Transformers growing up, so having so many fans working on my crew really kept me on point.
Nobody in the world knew about Megan Fox until I found her and put her in 'Transformers.' I like to think that I've had some luck in building actors' careers with my films.
