I used to feel unsafe right in the moment of an accomplishment - I felt the ground fall from under my feet because this could be the end. And even now, while everyone is celebrating, I'm on to the next thing. I don't want to get lost in this big cushion of success.
Streaming is a really big market for me. We've been doing great in the streaming market, so it's not something I want to alienate at all. Streaming counts now. They're treating artists the way we deserve to be treated.
Even now I will go to, like, an industry event, and all the ladies will be over here and all the guys over here, and I will go to the guys' table and sit because I just feel I can have a much better conversation over there. And that's automatic; it's not prejudice.
When I was fourteen and first started going out, I always wanted to be the opposite of everyone else. So I would go to the club in a polo T-shirt and pants and sneakers and a hat on backward, just so I would not be dressed like other girls.
I drink a lot of coconut water. It balances out all the other toxic stuff I put into my body.
Dancing was always part of my culture growing up in Barbados. When I shot my 1st video I worked really hard with my choreographer to perfect the routines.
I have a lot of other stuff to accomplish before I get to kids. Whenever the time is right, I'll just know. If I had a girl, she'd probably be really rebellious. She would be like a bundle of karma. I would love to bring them up in Barbados.
My jewelry's all fake - from Claire's. Or I get it from my mom's boutique in Barbados.
I feel like I'm being watched. Always. Like, I want to tan topless somewhere, and I know I probably could never do that. Even if I'm upstairs in my bedroom, and the curtains are pulled, I feel like a paparazzo's outside on a boat somewhere, or somebody's peeping.
When I see myself as an old woman, I just think about being happy. And hopefully, I'll still be fly.
When it comes to everybody else's thing and their lane and their timing, I'm never doing anything intentional to, like, come after somebody. That will always be my biggest mistake or anybody's biggest mistake if that's their intention.
If I ever go to West Africa, it would probably be for a free concert. I would want to do something for the people there. Maybe we can make a whole event, the way Bob Marley would have done it. Just for the people. And if they climb over the gate, let them climb over the gate.
The bottom line is that everyone thinks differently.
Women feel empowered when they can do the things that are supposed to be only for men, you know? It breaks boundaries, it's liberating, and it's empowering when you feel like, 'Well, I can do that, too.'
There's a long way to fall when you pretend that you're so far away from the earth, far away from reality, floating in a bubble that's protected by fame or success. It's scary, and it's the thing I fear the most: to be swallowed up by that bubble. It can be poison to you, fame.
Everybody has their thing they like or don't like to see. It's all in your head. That's why people take their own pictures, because it's difficult for someone else to capture what you seek.
I want to give people a taste of the Caribbean, and show them the fun side of me.
You just want something else that someone else has, but that doesn't mean what you have isn't beautiful, because people always want what you have, and you always want what they have - no one is ever 100 per cent like, 'Yes, I'm the bomb dot com - from head to toe!'
I don't like cream puff, corny guys. Usually, they are the nice guys, the ones that won't hurt you. They'll pull out the chair for you and the whole nine yards. Everything is perfect and boring.
At first, I didn't really use anything in the social network world. I was so anti-social network, which is kind of ironic. I actually first started on a chat room on my fan site.
