It's a fact that Anglo-Saxon supremacy impacts other cultures. That is plain and simple.
I always need a reason to do something on stage, for me. I am not judging anyone: there is not a good way; there is not a bad way. You just have to justify everything.
To me, 'Alors On Danse' is the definition of clubbing. Because everyone is just trying to forget their problems, but actually, it's so sad, clubbing. We try to sell happiness in clubs, but you can't.
At the time I learned drums, I wanted to be the drummer of Hanson. I wanted to be this guy because he was so young, and he was already drumming in the band, you know, so I just wanted to be like him. And later, I discovered hip-hop music at boarding school.
I'm not making music for intelligent people or dumb people. I'm just making music for people.
I do my music for me, second for my entourage, and at the end, for the people. It's healthy to work that way.
When I'm on stage, that's a job. It's acting, it's faking, just making fun of yourself, telling bad jokes - I'm pretty good in this - dancing, just to entertain.
We are proud of our ridiculousness. That's what made our Surrealism. Proud and ashamed of everything at the same time. I think that's my definition of Belgium.
I'm sure, ever since I was really young, that happiness is not a bottle of champagne and a girl and a limousine and a swimming pool.
Music is the only place that I can have no taboos. In real life I have a lot of taboos, and I can't talk about everything easily.
I have four or five custom suits, including one that's velvet, and a gray one I wear onstage. It's wool.
