A musician's attempt to summarize his or her work leads to all this prescriptive chatter, or what I call the 'Modifier's Madness.' A lot of adjectives working overtime.
It's traumatic to meditate on the availability of information through the Internet, or the way we perceive the world as a result. People don't experience things totally or viscerally anymore. It's all through representation, be it a record on YouTube or a post on a blog.
I think I get a lot of ideas from when I was a kid, listening to Casey Kasem's 'American Top 40.'
You know, I don't think my music is important, I don't think it's changing the world, I don't think it's art. I just think it's music. It is what it is.
My only concern about art collaborations is that I never thought of myself as an Artist. My tax forms say Musician/Songwriter.
Morals, principles and laws are when faith is reduced to standards and those standards basically just bind us, and we become prejudicial, racist, self-serving when we're guided by these laws... When a developed country uses Christianity in its policies, in government, in maintaining corporate wealth, that's a bastardized rendering of a faith.
I feel like the Internet needs to be disarmed in some way. There needs to be a philosophical undermining of the Internet. We take it too seriously and too literally. For a reference we go to Wikipedia, which is full of inaccuracies and misinformation. It's kind of beautiful - it's all the product of imagination; it's not reality at all.
I still feel like I have a lot to learn in the realm of sound experimentation, and I think I would like things to get noisier and weirder and more distressed and more aggressive, but I don't know if that's something that would be suitable for public consumption.
I've read in a couple stories that I was raised Episcopalian, but that's not true. I think that's just people assuming things. In some ways, I wish I was raised Episcopalian. I was kind of raised hodgepodge.
I've been trying to challenge myself to be more explicit. I've always liked punk rock and Sonic Youth. I make that music privately, but I've never released it.
Musicians are often asked to answer for an entire culture, or for an entire movement. It's a process of commodification. It becomes packaged and summarized in a word like 'emo' or 'grunge'... or 'folk music.' I think that's just language itself, trying to understand the mysteries of the world.
One of my strongest memories is my father playing bongos in the living room in Detroit listening to Motown radio. He was this skinny white bald guy, but he was really moved by blues and Motown and funk.
It's hard to reconcile my personal beliefs with an entire institution like the Church or the Republicans. Or with people within those political persuasions who have such different ideologies but confess the same things I confess spiritually.
I was sort of born into a Subud cult that has ties to Islam and Indonesia and Middle Eastern spiritualism. My parents were kind of trial-and-error when it came to religion.
The best fiction is geared towards conflict. We learn most about our characters through tension, when they are put up against insurmountable obstacles. This is true in real life.
I don't really have a domestic inclination. Even my apartment has a semblance of a storage facility. It's just stacks, there are no bookshelves, just books and piles of stamp collections and weird little sewing and knitting projects.
I don't think it's so hard to be commercial and interesting. Look at Prince, or Neil Young.
I'd like to do a record that doesn't even reference actual places. Because I think it's kind of an open-ended concept. It doesn't have to be taken so literally.
In third grade, I had to an oral report on the state of Oregon. I brought up Big Foot sightings, and I remember there was an argument about whether or not Big Foot was valid history. Ever since then I've been thinking about how subjective history is.
The World's Fair was the precursor to theme parks like Disneyworld, and the really sort of cheap, superficial promotional architecture that you see everywhere in the U.S. I think there's a danger when you start creating a civilisation that isn't meant to last.
