Most of us are naturally inclined to struggle against the restrictions our friends and family impose upon us, but if we are so unfortunate as to lose a loved one, what a difference then! Then the restriction becomes a sacred trust.
Time and I have quarrelled. All hours are midnight now. I had a clock and a watch, but I destroyed them both. I could not bear the way they mocked me.
How is a magician to exist without books? Let someone explain that to me. It is like asking a politician to achieve high office without the benefit of bribes or patronage.
I must confess that in my teens and twenties, I loved 'Mansfield Park' rather in spite of Fanny than because of her. Like Fanny's rich, sophisticated cousins, I didn't really get her.
She doesn't do the things heroines are supposed to. Which is rather Jane Austen's point - Fanny is her subversive heroine. She is gentle and self-doubting and utterly feminine; and given the right circumstances, she would defy an army.
One way of grounding the magic is by putting in lots of stuff about street lamps, carriages, and how difficult it is to get good servants.
'Pride and Prejudice' is often compared to 'Cinderella,' but Jane Austen's real 'Cinderella' tale is 'Mansfield Park.'
In some ways, 'Mansfield Park' is 'Pride and Prejudice' turned inside out.
I can write most places. I particularly like writing on trains. Being between places is quite liberating, and looking out of the window, watching a procession of landscapes and random-ish objects, is very good for stories.
You can get this feeling of the English or Scottish or Irish or Welsh fairy, but it is by nature very elusive. It would be possible to pin down a German fairy, but the English one just vanishes, becomes the shadow under the trees.