Glutton things, those are things that are dangerous for me. My grandma and my aunt died of diabetes; I'm borderline diabetic.
I remember 'Resurrection Boulevard.' It was on for such a brief moment, but they were trying to do a good, Latino, Mexican-American family with a patriarch.
I feel like a lot of us have a story to tell, it's just that we don't get the platform or the access or the opportunity. I don't know how the goddesses and gods and the stars aligned. I got the opportunity, and I do have to note that a Hispanic woman gave me that opportunity.
When 'Vida' got the green light, Starz sent me this picnic basket of Jamie Fraser red wine and all these 'Outlander' things that I'll never open because it's like my sacred thing.
The Latinas in this industry are really supportive and stick together. America Ferrera, Gina Rodriguez, Zoe Saldana, and Salma Hayek have all reached out and have helped promote 'Vida,' and it's because they get it. They really are about opening doors. The more there are of us, the more of a movement it will be, and it won't be just tokens.
Write about your experiences! When I moved to L.A., I didn't have any friends, and the office janitor was the person who I saw the most. He would always come in at around 10:00 P.M., and I would still be at my desk, so I wrote a play about a first-year TV writer and the friendship that she developed with the janitor. Our stories matter.
I feel like progress will be made in the landscape of Latino influence when we get to tell those murky, real, close-to-life narratives.
I was obsessed with everything about 'Outlander' - the stories, the way it looked. I thought, 'You know what? I'm going to go to Scotland, and I'm going to find my own 'Outlander.''
I have 16 plays, and we don't ever do subtitles. You can't do subtitles in the theater, so I was like, 'I'm not gonna do subtitles.' You'll never lose the story. There might be a little joke that you might miss, but you'll never miss the story, even in the Spanglish of it.
